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Now part of the canon of the Italian stage, Morte Accidentale di un Anarchico was in its original form a subversive piece of political theatre. The play is based on the events of December 1969 when Guiseppe Pinelli, the anarchist, "fell" to his death from a fourth floor window of the police headquarters in Milan where he was being held for questioning in connection with a bombing in Pialla Fontana. This edition sets the play in its historical and political context and introduces readers to Fo's political thought and theatrical practice. The text has been edited and annotated for classroom use, but the play itself will be of interest to readers outside the classroom as well.

The Trash Phenomenon looks at how writers of the late twentieth century not only have integrated the events, artifacts, and theories of popular culture into their works but also have used those works as windows into popular culture's role in the process of nation building. Taking her cue from Donald Barthelme's 1967 portrayal of popular culture as "trash" in Snow White and Don DeLillo's 1997 description of it in Underworld as a subversive "people's history" Stacey Olster explores the ways in which American popular culture can be recycled in literature so as to change the nationalistic imperative behind its inception. The Trash Phenomenon begins with a look at the mass media's role in the United States' emergence as the twentieth century's dominant power. To this end, Olster discusses the works of three authors that collectively span the century bounded by the Spanish-American War (1898) and the Persian Gulf War (1991): Gore Vidal's "American Chronicle" series, John Updike's Rabbit tetralogy, and Larry Beinhart's American Hero. Olster then turns her attention to three non-American writers whose own cultures have felt the imperial sway of American popular culture: hierarchical class structure in Dennis Potter's England, Peronism in Manuel Puig's Argentina, and Nihonjinron consensus in Haruki Murakami's Japan. Finally, Olster returns to American literature to look at the contemporary media spectacle and the representative figure as potential sources of national consolidation after November 1963. Olster first focuses on autobiographical, historical, and fictional accounts of three spectacles in which the formulae of popular culture are shown to bypass differences of class, gender, andrace: the John F. Kennedy assassination, the Scarsdale Diet Doctor murder, and the O.J. Simpson trial. She concludes with some thoughts about the nature of American consolidation after 9/11.

Active window - An active window is the currently focused window in the current window manager or explorer. For example, if you have Notepad and Microsoft Paint open, clicking in the Notepad window will cause that window to become active.

Root window - In the X Window System, every window is contained within another window, called its parent. This makes the windows to form a hierarchy.

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Modal window - In user interface design, a modal window (often called modal dialog because the window is almost always used to display a dialog) is a child window created by a parent application, usually a dialog box, which has to be closed before the user can continue to operate the application. Modal windows are frequently an element of MDI applications.

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American Craftsman Window - American Craftsman Window The Trash Phenomenon: Contemporary Literature, Popular Culture, and the Making of the American Century by Stacey Michele Olster, X The Trash Phenomenon looks at how writers of the late twentieth century not only have integrated the events, artifacts, american craftsman window and theories of popular culture into their works but also have used those works as windows into popular culture's role in the process of nation building. Taking her cue from Donald Barthelme's 1967 portrayal of popular culture ...

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